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about

Hildur & Schneider met in 2004 in Berlin's partyzone and found out they were both living in the same neighbourhood. Soon the idea came up to do some music together. One fine day Hildur came over to Schneider's house/studio and brought her cello. Before they even started talking or drinking coffee, the track my favourite caucus airchamber was recorded. After that they met occasionally to play some game of bowls in the park or have one or two drinks together. A couple of weeks later the second track inspired by a common love of Sun Ra music (don't give up, what is death?) was recorded just like the first one...but this time she also brought her zither, accordion, saw & pearlchain....

No talking, no specific ideas, no direction: just Hildur playing over and over the acoustic instruments and Schneider processing them live on his mixing-desk. A couple of weeks later Hildur moved back to Iceland to finish her electro acoustic studies and Schneider visited some jail to work on German gangster-rap with some prisoners. When Hildur came back to Berlin to join Angel for their drone-set in October 2004 at Ausland, Berlin, the time was right to record the track not all crows are black. Then, one afternoon, the Schmucks appeared at Schneider’s studio, but this is another story…

credits

released July 1, 2005

Hildur Gudnadottir played: cello, saw, accordion, zither, pearlchain, fender twin reverb

Schneider Dirk Dresselhaus) played: fender twin reverb, kaoss pad, vermona retroverb, memory man deluxe, eq's, doepfer unit + spring reverb

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about

ORAL_records Montréal, Québec

Experimental and sound art label from Montreal, Quebec, run by audio curator Eric Mattson.

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